DISSERTAÇÃO DE MESTRADO - PROGRAMA DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE (PGCULT) MESTRADO INTERDISCIPLINAR

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Navegando DISSERTAÇÃO DE MESTRADO - PROGRAMA DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE (PGCULT) MESTRADO INTERDISCIPLINAR por Assunto "Antropologia"

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    Antropologia cultural e política em Rousseau: o estatuto anti-etnocêntrico na Carta a d’Alembert sobre os espetáculos
    (Universidade Federal do Maranhão, 2023-04-28) SILVA, Irlene Veruska Batista da; FAÇANHA, Luciano da Silva; http://lattes.cnpq.br/7318884096236926; FAÇANHA, Luciano da Silva; http://lattes.cnpq.br/7318884096236926; SILVA, Cacilda Bonfim e; http://lattes.cnpq.br/2584797486455233; OLIVEIRA, Ana Caroline Amorim; http://lattes.cnpq.br/6279006668275644
    The aim of the present dissertation is to investigate Jean-Jacques Rousseau's (1712- 1778) critique of French ethnocentrism based on the work Letter to M. d'Alembert on Spectacles (1758) – henceforth Letter. The Letter was born in response to an entry called Geneva written in the Encyclopedia by the philosopher Jean le Rond d'Alembert (1717-1783). In Geneva, d'Alembert extolled the qualities of theatre and suggested opening a company of comedians in the city of the same name. In terms of methodological perspective, we propose to look at Rousseau's work from the interpretation of Claude Lévi-Strauss (1908-2009), as well as from the teachings offered by Pierre Bourdieu (1930-2002). We think that the levistraussian perspective – initiated in the text Jean-Jacques Rousseau, Founder of the Sciences of Man (1962) – helps us to reflect on the hypothetical possibility of an anti-ethnocentric status in the work of the Genevan. Through the lens of Bourdieu (2007), his concepts – symbolic capital, trajectory – allow the observation of the insertion of the citizen of Geneva in the fields (music, philosophy, inter alia) from the positions he takes in the concrete disputes facing “abstract” issues (Moral, Inequality, among others). One of the main results that our research allows us to point out is that in the Letter the verification of the diversity of peoples should print and correspond to a multiplicity of spectacles; the particularity of each people clashes with the Enlightenment perspective of universalization of a model of man and civilization – notably, Europeans; and represents an intellectual break with the philosophes of the Enlightenment, specifically with Denis Diderot (1713-1784) and François-Marie Arouet, known as Voltaire (1694- 1778).
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    Cantinho da saudade: experiência museológica comunitária das mulheres ceramistas de Itamatatiua, em Alcântara, Maranhão
    (Universidade Federal do Maranhão, 2023-04-27) LOGRADO, Yuri Sampaio Capellato; BANDEIRA, Arkley Marques; http://lattes.cnpq.br/3764150553908789; BANDEIRA, Arkley Marques Bandeira; http://lattes.cnpq.br/3764150553908789; CUTRIM, Kláutenys Dellene Guedes; http://lattes.cnpq.br/4310600393313804; FAGUNDES, Marcelo; http://lattes.cnpq.br/8995380304167773
    This work investigates the role of museological concepts and practices in the construction of narratives, highlighting their influence in the perpetuation of colonialist biases or in the affirmation of other epistemologies. The study focuses on the memory initiative called Cantinho da Saudade, located in the quilombola community of Itamatatiua, in Alcântara, Maranhão, and explores the possibility of developing a museum project to expand the initiative of the potters. The methodology used included the interdisciplinary action-research method, covering a stage of information and field survey through experiences in Itamatatiua. The first stage consisted of a bibliographic review of approaches and perspectives on quilombo, decolonial theory and museums. In the field stage, information was collected from the potters through semi-structured and recorded interviews and conversation circles. The study was based on a respectful and ethical approach to research in traditional communities, based on the principles of reciprocity and feedback, aiming at sharing knowledge. The research analyzes public policies related to the theme, such as memory points. The dissertation highlights the importance of community museological processes for the expansion of discourses present in traditional museological institutions. Through the example of Cantinho da Saudade, it is demonstrated that collective memory informs and builds new perspectives of access to the world, more comprehensive and less totalizing. The work also contributes to debates on the impact of community memory processes on the decolonization of museums, opening space for more inclusive and democratic forms of identity representation that affirm citizenship and strengthen social transformation. In short, the work proposes an interdisciplinary approach to understand the relationships between quilombo, decolonial theory and museums, and seeks to establish a collaborative and participatory proposal for the creation of the Quilombola Museum of Itamatatiua, valuing the community's cultural heritage and guaranteeing its right to a dignified life and the territory. The survey results revealed a strong community role, including the maintenance and organization of collective spaces. At the same time, they indicate a constant resistance to the preservation of local memory, threatened by colonial discourses and practices that have been perpetuated over time.